Working simultaneously on my artist statement and a blog about self-publishing — both for school — has caused a proliferation of Thoughts. Here’s something that maybe doesn’t belong anywhere.
Stories by [name of writer] have appeared in [name of publication], [name of publication], and [name of publication]. [Name of writer]’s forthcoming novel, [name of novel], will be published by [name of publishing house]. Congratulations, [name of writer].
Congratulations also to [name of writer], whose sophomore work, [name of book], was published by [name of publishing house]. A [adjective] exploration of [what the book explores], [name of book] is a [adjective] novel about [what the novel’s about].
A story by [name of writer] will appear in [name of publication] next month. Good job, [name of writer].
Why why why perpetuate the idea that the ultimate and collective goal of writers should be to publish — anything, anywhere, but preferably something rather short in a lit’rary journal of note. This idea exhausts me. I’m glad people are writing and I hope other people are reading what they’re writing, and that what they’re writing is good or bad or whatever — it doesn’t matter to me — but that its value transcends the sign-off of a publication, and the authors’ identities as human beings aren’t defined like this: I am a person named [name of person] whose stories — [list of stories] — have been published in [list of publications], respectively. That makes me very sad in a way that’s hard to explain. The subtle-to-quite-explicit expression of these sentiments make me feel like a collapsing heap of rotting potatoes inside — you know? I don’t think the point should be, YES, I got in. I don’t really know what the point is. Maybe it should be closer to: “Cool, now more people can read what I’m writing and maybe will want to read other stuff of mine, so that’s probably good since it’d be nice to make some money from this thing I love to do. Too bad I had to pay $10 for postage, but I guess that’s pretty cheap marketing. And I made a few bucks–I think I’ll get a haircut and make a down-payment on some tights!” or something like that. I think probably most of the writers I know feel this way, or pretty close to it.
Getting published is good; I don’t want to give the impression that sending out stories is somehow dirty or evil — I’m just questioning whether writers ought to be making publication a quest; I’m wondering why, for all that writing gives us to celebrate, we tend to focus on publishing. I’m happy that my friends and I are flinging things out in the world in whatever way we decide to do it (I prefer blogging, for instance). I’m glad I get to read what they write — new stuff, old stuff, anything — I like seeing their names and their words; there are so many other things I see or have to look at in my progress through this world that don’t make me happy; any time I get to remember my friends and read their stories, I feel better able to appreciate things in general, and more determined to try to live in a way that honors these people and the art they make as well as the art I want to make. I’m also happy for writers whose work gets published — not that they got published, but because, primarily, they’re doing this amazing stuff, creating something that has and provides meaning, and much secondarily, that other people will hopefully see what they’re doing and love it .
But it would feel like shit to say (or hear), “They like your story — I’m so happy for you!” Ugh. “Your stories are very likeable. I hope people see how likeable your story is from the first two lines and then Google your name to see what else you’re published in or whether perhaps you have made some kind of list.” I kind of feel like artists — and audiences — should be better than that.
I also kind of feel like I’m being a dick about this and I should just let it go. I’m trying. I’m trying real hard. But it’d be a whole lot easier if everything else changed so I wouldn’t have to learn how to cope with my conflicted feelings. I have, by the way, sent out two stories so far this year, and if either of them are Chosen I guess I’ll have to figure out how to feel about it. I think I can trust myself not to be beside myself with joy, but one never knows about these things.
Maybe the biggest question is, why spend this precious hour nitpicking rather than celebrating all the things there are to love about writing? I guess because it’s easier. (See see my profane and sacred rant on “What Is Fiction?” in ibrokemythesis). Addressing the few things that bother me helps me remember that these need only be peripheral issues, and writing really is the best — and hardest — thing.